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Classic Orange (Camille Henfling II for Von Eusersdorff )

Updated: Nov 2, 2023

This article was written for, and first published in CaFleureBon.



2. The Beatles. Photo editing and creative direction by a_nose_knows for Von Eusersdorff Classic Orange.


I mean, let’s face it--save for A Clockwork Orange and some darker stories about the Orangeries, there’s not enough gory in this citrus to build an allegory (see what I did there?). So I tried, and tried, and failed to muster the cool; the twisted; the profane.

Classic Orange laughed in my face and filled me with stupor’d smiles, and paralyzed my every intent to abstract it with overwhelming waves of annoying happiness.



Love, love me do

You know I love you

I'll always be true

So please, love me do

Whoa, love me do


Love, love me do

You know I love you

I'll always be true

So please, love me do

Whoa, love me do


Someone to love

Somebody new

Someone to love

Someone like you


Love, love me do

You know I love you

I'll always be true

So please, love me do

Whoa, love me do


---------------------------------------------------- Love Me Do, The Beatles


“Love Me Do” is the debut single of The Beatles, and was released in the UK in 1962–with relative success. Two years later it was released in America and the world of skiffle and beat changed forever. It’s hard today to think of polished, suit-wearing, English, polite, smiling fellas as musical lighthouses and sacred monsters of counterculture; but here they were, four boys shaking the stilts and paving the way.


Or...were they? What made them palatable, if so revolutionary? What made them lovable? What made them safe?


Enter, my friends, the AABA. Chances are you’ve known it for ever; your grandma played it on the telly in hazy black-and-white musicals; your favorite Gershwin-fan friend had it murmuring at some intellectual dinner; you’ve surely belched it loudly, windows down, from a car rolling at speed and driving into the sunset.





3. AA-A. Photo editing and creative direction by a_nose_knows for Von Eusersdorff Classic Orange


AABA is, in short, a template to compose a song made of 32 bars, split as follows: an 8-bar section (A), a second 8-bar section that sounds the same but has slightly different lyrics (A), a contrasting harmony or “feel” 8-bar section (B), and a final 8-bar section that sounds, again, like the first 2 (another A). AABA resembles the ternary form of the operatic da capo aria, and settled as the principal song form for American songs in the 1910-1920s; later on, it became the most successful show-tune form and, as such, a jazz standard. Simple, effective, easy to write, easier still to remember, and fun to howl to from the top of your lungs: so Pleeee-ee-ee--eeeeeese, love me do, whoaaaaa love me do





4. AABA. Photo, digital editing, and creative direction by a_nose_knows for Von Eusersdorff Classic Orange.




Classic Orange is, too, simple, effective, easy to wear, easier still to like, and fun to sniff deeply until your lungs fill up with over-the-top, loud, shiny happiness.

The first A is crisp and juicy, brimming with one of the finest blood orange renditions I know: wet and tensed, bitter, fragrant, tangy, zesty (yes, I’m repeating myself, lovemedo, yes, it’s that realistic). Underneath, a slight musk, bright and cool and airy like fresh laundry on a line, and a shadow of smokiness.


The second A comes swiftly with the same theme on variation: the orange gives room for a bit of citrus leaf; the musk starts to warm up; the smoke gathers body and starts veering into tanninic.


B changes register altogether- the wetness remains but is now torrid, sticky, and sweet in a way that makes time more still; smell is creamy and smooth and a bit dark, like milky Earl Grey; like a melted creamsicle; like the end of a beach day. There’s a sentiment of loss, and the evolution stalls ever so slightly.


The final A goes back to the tang, stronger with peppers and woody notes and cleared of any reticence. Like a drive in a convertible, with the hood down and the music up. LOVEMEDO, indeed.


Official notes: blood orange, petitgrain, suede, chinese osmanthus, black tea, sandalwood and musk

Other perceived notes: cream, vanilla, peach, cardamom, pepper, soap; (at times, faintly, not bothersome) a woody-animal, ammonia undertone; currant


1. AA. Photo, editing, and creative direction by a_nose_knows for Von Eusersdorff Classic Orange.


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